Monday, March 29, 2010

CURVES

What’s special about your curves?
What gets into me when I see you approaching
With all your curves in harmonious movement?
I can’t stare at you
The beauty of your curves forces me to look down for a moment
Embarrassed of my own reaction
Tilting up like a photographer
Trying to focus without blinking
Searching for the right spot
There is not one I feel
My gear won’t stop and your curves accelerate me
Up even more, passing the point of no return
I can see why men get lost
You are all beauty
I can feel the softness of your curves without even touching you
Your rounds ends, your slippery corners
The more desirables angles of pleasure
And then I finally go up and see
The sculpture enhanced by the curves in the middle
Your gracious motions accentuating your sex appeal
It is why men get lost in your prairie
Intentionally trying all kinds of tricks
Trying to conquer the territory they admire and failing
And traveling your curves with their lascivious way
So brutal they might miss the next best spot
The great big curve before your hills
That amazing spot that trembles with a simple touch
That amazing spot that can make men shiver
And the softness still soft has now changed
The erect hills ahead getting higher
Softer round sweet milky curves
And your body now curves backwards with pleasure
Unveiling more curves for men to discover
And the silk over the curves sways
Side to side within a planned movement
You know what will happen
When uncovering all
So you don’t and won’t let them see
The altitude where men can’t control temptation
And lips can work marvels
More bright curves now with precise light
Seducing your prey, contouring your figure even more
Increasing the number of your curves
Allurement, incitement, glorious curves . . . all of them.

2 comments:

  1. Very sensual poem, I actually got an erection reading it because of the descriptions of the curves. You truly do have a way with words, now I must wait to feel your touch. Wondering will it be up to par? Knowing in my heart that there will be nothing more soothing than your touch moving along my curves.

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  2. As a critic however, when you describe one scene don't suddenly just jump into another like when you said "Embarrassed of my own reaction
    Tilting up like a photographer" you just jumped to a new idea without presenting a change.
    I did not understand what you meant at this spot "And the softness still softness has now changed" Do you mean that the softness that is the same has somehow changed? If so then you should be clearer when trying to present a sight, touch, or sound. But other than that very well done.

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